love the discussion part deux:

Philosophy has historically viewed literature with suspicion, or at least a vague unease. Plato was openly hostile to art, fearful of its ability to produce emotionally beguiling falsehoods that would disrupt the quest for what is real and true. Plato’s view was extreme (he proposed banning dramatists from his model state), but he wasn’t crazy to suggest that the two enterprises have incompatible agendas. Philosophy is written for the few; literature for the many. Philosophy is concerned with the general and abstract; literature with the specific and particular. Philosophy dispels illusions; literature creates them. Most philosophers are wary of the aesthetic urge in themselves. It says something about philosophy that two of its greatest practitioners, Aristotle and Kant, were pretty terrible writers.

Of course, such oppositions are never so simple. Plato, paradoxically, was himself a brilliant literary artist. Nietzsche, Schopenhauer and Kierkegaard were all writers of immense literary as well as philosophical power. Philosophers like Jean-Paul Sartre and George Santayana have written novels, while novelists like Thomas Mann and Robert Musil have created fiction dense with philosophical allusion. Some have even suggested, only half in jest, that of the brothers William and Henry James, the philosopher, William, was the more natural novelist, while the novelist, Henry, was the more natural philosopher.